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Alexandre turns out to have all the attributes we’ve come to associate with the rom-com: he’s an architect of opera houses so has a large, expensive-looking house; he has access to a plane for skydiving; he’s kind to his lazy housekeeper and unemployed grown-up son.
He also has a classic rom-com flaw: he’s really, really short.
However, beneath the myriad shades of moods, temperaments, whims and fancies that set them apart, there runs a common strand that joins the whole lot of women.
At the end of the day, all women crave more or less the same qualities in men.
“We’re Nazis, that’s what we are”, exclaims Diane’s colleague, somewhere between Diane and Alexandre getting together and breaking up and so on.
This remake of the 2013 Argentine-Brazilian film Corazón de León was a huge hit in France and, before the collapse of the foreign language movie market, might reasonably have expected to emulate the goofy crossover appeal of Les Visiteurs (1993) or Welcome to the Sticks (2008).